My painting, “Eyes of Awareness” began in one of the Hide-N-Seek watercolor classes I teach.

The painting process is called “Hide-N-Seek” because I never know what the result will be. Each painting starts with an idea, sometimes a drawing, that’s hidden when texture is applied to wet paper.

This painting had no drawing.

I unravel 3-ply jute, a garden twine used to create texture. My full sheet of 300# Cold Press Arches watercolor paper is sopping wet. The texture hides a drawing or describes areas to be painted. It provides a path along which the paint moves.

As I laid the jute hap-hazardly on the paper, I explain, “this is a painting about procrastination. It’s about feeling anxious or resistant to doing something you must do, but don’t want to do.” 

My palette glistens with bright, juicy, wet colors. Lifting a 1.5” brush filled with color, I continue, “Angst doesn’t feel good. You’re all tied up in self-made knots.” 

Splat!

I swirled and threw great gobs of color, starting with yellow on much of the paper. Continuing around the color wheel, I flung oranges, reds, and pinks. The darker blues, turquoise, and purples are thrown on the bottom third of the paper — where procrastination lives — in the gut.

“Suddenly, in a burst of ‘I can’t take it anymore,’ you go ahead and do that thing that you don’t want to do.”

The cleaned brush is dipped back into the warm colors as more paint is released. Yellows, oranges, pinks even gold gouache sails through the air, arcing from the bottom melee of dark colors up toward the top of the paper in a spray of freedom. 

At this point, the paper is loaded with rich, wet colors. It looks more like a question than an answer. What will this painting look like?

“Now,” I say to the somewhat shocked class, “we wait.”

The colors fade a bit as they dry. When it’s still damp, I gently lift the jute to see if the paint moves. If it is, I leave it alone.

Once the paint no longer moves, I remove the jute. Some of the paint lifts off with the jute.

When the paper is completely dry, I begin to find the painting.

I’ll stare at it until I know what to do.

Your painting will always tell you what it needs, what to do.

The first time it happened, I was painting at the Hilton Hawaiian Village.

As I lifted a loaded paintbrush to the painting on the easel, my hand suddenly went back to touch the paper towel.  

What?

I hadn’t decided to touch the paper towel, my hand simply did it.

Since that day, my hand often spontaneously releases excess water & paint — apparently, the brush is too full!

This kind of experience is one reason to develop a painting practice.

Another reason is that when your mind is focused on painting, you’re distracted from the daily issues plaguing you.

This level of joyful focus opens you up to receive insight and inspiration for your painting and sometimes even for your life.

My friend, Rebecca calls this phenomenon “epiphany city” — that’s how often it can occur!

Taking a class is a great way to start painting.

Classes both inform and give you permission to set aside time for yourself each week.

 You deserve a “time of your own!”

If you enjoy painting, consider creating a painting practice for yourself.

By deliberately setting aside time to paint once, twice, or more each week, you signal to yourself, and to others, that you deserve a joy-filled life.

By making yourself a priority, you increase self-care, paint more often, and your paintings improve more quickly.

 For best results, schedule your practice ahead of time.
Look at your calendar to decide the best days and times to paint.
If this week is full, look at next week.  

Get started in 15 minutes!

You don’t need a dedicated spot to paint.

Watercolor is easy to set up & fast to clean up.

 Try a few different time slots to see which ones feel best, then commit to this window a few days or weeks in advance.

 Until your practice is a consistent part of life, keep it short, sweet, and regular. 

In the beginning, even if you have the time to paint longer, stick to 15 minutes.

If you increase your painting time too quickly, one day you’ll decide you can’t fit it in. You’ll skip a day and maybe the next. Pretty soon you’ve lost your rhythm and the slippery slope to not painting is paved.

I’ve been there.

The more often you paint, the more rewards you reap.

Sometimes, my hand drifts from the color I’d intended to use to another color on the palette. Imagine my surprise when, instead of blue, I see orange or red show up on my painting.

The first time this happened, I flinched.

Now I figure my painting can benefit from the surprise and I find a way to work with it.

One day, your hand will spontaneously touch the paper towel, or choose a color.

If a hand can receive guidance, and if it can be accepted so easily, maybe you can receive guidance in other areas of life as well.

Maybe the more you trust, the more you can receive.

When you’re focused on painting, you are in a mindful moment.

That’s when inspiration flies in like a breeze, so quickly and lightly that you don’t always realize it’s happened.

In those moments of flow, your batteries are recharged, and your heart & mind are inspired to new levels.

By distracting the thinking part of your brain, you become the observer of all that’s before you and within you. 

In this way, you’re meditating with eyes wide open, allowing the flow of synchronistic happenings to form a new hologram for you to follow.

This is all part of your Inner Wisdom. It’s always here with you, ready to fill you with enthusiasm.

Be playful and light. Wisdom is patient and all-loving. Time is elastic and when you’re ready, your wisdom is here for you. 

While it might seem like a big jump to go from receiving painting inspiration to life inspiration, it’s not.  

Watercolor is a great, patient teacher.

What is needed in a painting can be reflected as what is needed in your daily life.

Does your painting need more dark colors to give it more depth? Or a bright color to add spice?

Does it need to rest before your next painting session?

How about you?

Do you need time for reflection, a rest from all that you’re doing, or maybe a change of pace or of perspective, a little more spice?

Painting is the reason I moved to Hawaii. Painting with Watercolor taught me how to trust the painting process.

I keep learning to trust life.

If watercolor can teach me, it can teach you too!

‘Luke, come to the Dark Side.’ ~ (my memory of Darth Vader enticing Luke)

Those words echo in my head each time I face a painting that needs dark colors.

In the beginning, the painting is meant to be mostly light and medium tones

Dark colors provide contrast, interest, intrigue, and excitement to our work.

Adding the darks to our paintings can be SCARY!

It’s scary and it’s exciting and it makes a HUGE difference in our paintings.

If the dark color is “perfect” when we paint it, it’s probably too light. If it looks “too dark”, it might just be perfect!

Scare yourself just a little bit. Add dark colors & the difference is immediate. It’s hard to appreciate the edge of darkness when we’re scared.

Noticing that we’re scared is the first step to shifting into action. Fear lives right next door to Excitement.

Move from fear to excitement by breathing into your fear. Inhale and feel the feeling rise from your belly to your chest (your heart center).

Remember that if the painting isn’t finished, or if you’re not happy with it — if you don’t like it — it isn’t finished. You’ve got nothing to lose by adding darks. 

If you don't like your painting, what's in front of you is just a piece of paper!

Still mostly light and medium tones, with definition added

Remind yourself that no one will die if you add darks to your painting. You'll likely energize your painting by adding dark colors.

Those of us in the Northern Hemisphere are “plunging into darkness” (on so many levels I’ve lost count — mostly I refer to winter).

Darkness is scary because we don’t know what it holds. 

Winter is a time of rest and of letting the ground lie fallow.

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It’s a time for us to ease up, maybe just a little bit, maybe take a nap, and certainly to reflect on all that we’ve done this past year. 

It’s also a time to plan ahead and to set our intentions for next year.

What is it you most want to see, do, or BE next year? What would light up your life and energize you?

If you want to relax, feel great, enjoy life, see the world through fresh eyes, and spark your creativity, join me on Art of Aloha's 8-day cruise through the Hawaiian Islands August 4–11, 2018. Come Discover Paradise, Inside and Out. Click here to receive first dibs on the great Balcony Cabins!