Posts in Setting Intentions
Lost and Found

Sometimes I get lost — not physically lost, I live on an island for goodness sake! I get emotionally lost.

Does that sound weird? It feels weird. How old do I have to be before I always remember “who I am” — on the inside?

I know I’m lost when I forget how to have fun, or what makes me feel good about myself and about life in general.

I get lost when I over-think or over-work or over-worry about anything.

Worry is a product of trying to control life. Control is tricky. It can be a verb or a noun, sometimes it’s “good” and sometimes “not so good”.

Self-control might be the only kind of control we actually have, and that’s not even always true.

We might like to think we can control outcomes. We can’t, not really.

Hopefully, we know we can’t control others! Although that doesn’t stop people from trying!

All we can hope to control is our response or reaction to the world around us.

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My antidote to getting lost is to look for the ever-present magic and mystery in life and to share it with others. These are some of the talismans I keep to remind me that all of life is magical.

Forgetting that magic and mystery ARE ever-present is fatal to my well-being, and, I suspect, to that of others.

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I find the magic and mystery in life when I remember to look!

Last week, when I felt lost, I asked IWS what to paint. She suggested I paint the energy of “Beauty, Magic, Mystery, and Joy”.

I gathered all the magical objects I’ve been saving — the kinds of things that evoke questions or are beautiful in and of themselves (at least to me).

Then I closed my eyes and waited to see what my mind’s eye suggested.

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This involves getting out of the way and trusting that whatever comes to mind is the “right” thing to paint.

My “Hide-N-Seek” painting process is perfect for this magical task and the painting was begun.

“Beauty, Magic, Mystery, and Joy” has been evolving for the past two weeks.

I remind myself often to “only paint what I know to paint”. This means I take my time to “Stop, Look, and Listen” to my painting between brushstrokes.

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Part of painting magic and mystery is to not “over explain.”

That way the viewer can find their own levels of mystery and magic within the painting.

Once you find your magic and mystery in my paintings, please email me to tell me what you’ve found: patrice@artofaloha.com

Diamonds and Rust

Each week I write a weekly summit. I list my “Ta-Dahs” (accomplishments), my “things not done”, my AHAs, and things to do in the week ahead.

The ribbons denote my special accomplishments

The ribbons denote my special accomplishments

To further keep myself focused, I record my deeds each day — it’s too easy to forget that I’ve done much of anything unless I record it.

Still, something’s missing. I can tell by the empty feeling that remains.

Purpose! The “why I’m doing or not doing something” matters. I long for a sense of meaning and purpose in life.

Yes, this truly IS a “first world issue”. My basic needs are met. I have food, water, fresh air, and shelter. I reach for meaning.

I seek happy accidents too.

"Don't Fence Me In" has been languishing in my flat files for a while — I finally finished it.

"Don't Fence Me In" has been languishing in my flat files for a while — I finally finished it.

I chase the magic of wonder and discovery with each brush stroke.

Maybe that’s why I allow my paintings to linger rather than rushing to finish them.

Painting is a process of unfolding to all that the painting has to offer. I don’t want to rush it (and possibly miss it) by moving too quickly.

My brush strokes are applied quickly with a bold assurance that I may or may not feel.
Then I wait.

“Only paint what you know to paint” is one of my regular mantras to myself and to my students.

This means watching your painting and waiting.

Wait to paint until you’re moved to paint the way you’re moved to eat when hungry.

For some, the art of putting paint on paper or canvas is reason enough to paint.

Another painting that might be finished, was waiting for me in my flat files.

Another painting that might be finished, was waiting for me in my flat files.

I want more. I want to feel enriched, enlivened by what the painting reveals to me through the process.

I look to the world in a similar way.

When I go for a walk, I look for clues that I belong in this world and on this walk.

A heart-shaped rock, a piece of coral, or a swirl in a tree, sends me love from the universe.

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The cracks in the sidewalk remind me of a circus act or a tightrope walker and I’m cheered on to entrust my soul to the divine for another day, another painting.

Am I blessed or cursed to have this outlook? That depends on how aware I am each day and how I interpret what I see and feel.

Keeping a sunny outlook depends on me doing my inner work daily.

And knowing that some of my days are diamonds and some are rust. Just like everyone else’s.

Do You Have a Personal Warranty?

I broke a tooth last week — no pain, just a broken tooth; so I went to the dentist.

When I arrived, I was asked to sign a warranty. I haven’t had major dental work done in years so this was new to me.

The warranty included stipulations about the patient holding up their end of the bargain — like having check-ups twice a year.

This got me thinking about having my own personal warranty.

How do I ensure that my outlook stays “sunny” or that my body functions optimally? What good habits do I have in place and what habits might need updating?

My morning ritual is to read something uplifting and then to write in my journal. I've recently added writing to my Inner Wise Self as well.

After that my days are a bit scattered. No two days are alike. Some days I teach in the morning, some days I teach in the afternoons. Some days I sell art at the Hilton Hawaiian Village. Some days I run errands, or have a coaching call, or do paperwork, or marketing.

How would it feel to create a tighter schedule for myself? "Scary, icky, no thank you", are my initial reactions.

I have lots of excuses for NOT creating a tight schedule: I like my freedom; I prefer to “go with the flow”; I don’t like being hemmed in; I’m a “Horse” (Chinese Astrology) and a quadruple Aquarian (Western Astrology).

I believe in small changes, so I’ll start small. I'll begin by setting my timer so that I don’t spend more than 20 minutes at a time on email or Facebook.

WIN! I can do that easily!

Another change I can make is to consciously set intentions for myself, both for the entire day and for short segments of time throughout the day.

For example, I intend to paint with abandon and joy in my heart. OR I intend to feel joyful as I do x, y, and z (those tasks less fun than painting).

Setting intentions creates a roadmap for the day.

By consciously setting our intentions, we have increased awareness of the processes in which we engage.

Set your intentions in the present tense. Start with the way you intend to feel today, or the way you’ll feel when a task in front of you is completed. Focus on whichever of those feelings feels best.

Intentions can be a bit of a reach, but only a bit. You want them to be believable!

Now that the Art of Aloha Cruise: Discovering Paradise Inside and Out is open for sign-up, we're beginning to set our intentions for the cruise — private, personal, and group intentions.

The energy is building to make this an exciting journey for all of us.

There's room and time for you to join us. Click HERE to download the pdf file of information. Fill out the last two pages and follow the directions to enroll. Please email me if you have any questions. Please note: To fill in the registration form on a computer you will need to use Adobe Acrobat Reader (free) or Adobe Acrobat.

Into the Darkness

‘Luke, come to the Dark Side.’ ~ (my memory of Darth Vader enticing Luke)

Those words echo in my head each time I face a painting that needs dark colors.

In the beginning, the painting is meant to be mostly light and medium tones

In the beginning, the painting is meant to be mostly light and medium tones

Dark colors provide contrast, interest, intrigue, and excitement to our work.

Adding the darks to our paintings can be SCARY!

It’s scary and it’s exciting and it makes a HUGE difference in our paintings.

If the dark color is “perfect” when we paint it, it’s probably too light. If it looks “too dark”, it might just be perfect!

Scare yourself just a little bit. Add dark colors & the difference is immediate. It’s hard to appreciate the edge of darkness when we’re scared.

Noticing that we’re scared is the first step to shifting into action. Fear lives right next door to Excitement.

Move from fear to excitement by breathing into your fear. Inhale and feel the feeling rise from your belly to your chest (your heart center).

Remember that if the painting isn’t finished, or if you’re not happy with it — if you don’t like it — it isn’t finished. You’ve got nothing to lose by adding darks. 

If you don't like your painting, what's in front of you is just a piece of paper!

Still mostly light and medium tones, with definition added

Still mostly light and medium tones, with definition added

Remind yourself that no one will die if you add darks to your painting. You'll likely energize your painting by adding dark colors.

Those of us in the Northern Hemisphere are “plunging into darkness” (on so many levels I’ve lost count — mostly I refer to winter).

Darkness is scary because we don’t know what it holds. 

Winter is a time of rest and of letting the ground lie fallow.

It’s a time for us to ease up, maybe just a little bit, maybe take a nap, and certainly to reflect on all that we’ve done this past year. 

It’s also a time to plan ahead and to set our intentions for next year.

What is it you most want to see, do, or BE next year? What would light up your life and energize you?

If you want to relax, feel great, enjoy life, see the world through fresh eyes, and spark your creativity, join me on Art of Aloha's 8-day cruise through the Hawaiian Islands August 4–11, 2018. Come Discover Paradise, Inside and Out. Click here to receive first dibs on the great Balcony Cabins!